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"Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man. And indeed the thought of this distant fern is as dear to Mona as to him. For to her comes a rush of tender joy, as she tells herself she may soon be growing in this alien earth a green plant torn from her fatherland. "They do look nice," says Mona, "and I am hungry. If we won't be a great trouble to you, Betty," with graceful Hesitation, "I think we should like some.".

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Instinct warns her of treachery; common sense belies the warning. To which shall she give ear? He comes to her and looks over her shoulder at the paper she holds. In an ugly unformed hand the following figures and words are written upon it,— On the right side of the fireplace, lying along the wall, is a rude stretcher,—or what appears to be such,—on which, shrouded decently in a white cloth, lies something that chills with mortal fear the heart, as it reminds it of that to which we all some day must come. Beneath the shroud the murdered man lies calmly sleeping, his face smitten into the marble smile of death. "Do you know, Mona," says the young man, sorrowfully, "you are too good for me,—a fellow who has gone racketing all over the world for years. I'm not half worthy of you.".